Re: Poetry
Originally Posted by
Willow
->
Oh dear!
Yes, oh dear indeed. I'm sorry, plantman, but despite your personal opinion the rest of the world accepts that blank verse is poetry. You might not like it but it's a fact.
Some are better than others of course and the piece you heard may have been a poor example and you have a every right to hate it. Some rhyming poems are pure drivel and some are great literature.
Here is an example of universally acknowledged great unrhymed (blank) verse by Alfred Lord Tennyson. It's just the first few lines of a much longer poem about what it is like to have been a great leader and be growing old but it can be read on a personal level too. It has "intense feeling" and "rhythm" which defines poetry - it is written in iambic pentameter which means the syllables are evenly stressed and unstressed to give it a recognisable rhythm (da DUM da DUM da DUM da DUM da DUM)
It little profits that an idle king,
By this still hearth, among these barren crags,
Match'd with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
Life to the lees. All times I have enjoy'd
Greatly, have suffer'd greatly, both with those
That loved me, and alone; on shore, and when
Thro' scudding drifts the rainy Hyades
Vext the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known,-- cities of men
And manners, climates, councils, governments,
Myself not least, but honor'd of them all,--
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
This is Shakespearian unrhymed poetry:
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
William Shakespeare